I didn’t want to leave her a l o n e.
THIS FUCKING SCENE IS WHY IT’S NOT OKAY TO HATE ON DAWN.
I mean yes she is annoying and can be really immature but she’s like, 12 years old in season 5 and she loses her mother. Then, her sister within the year. And her father left and won’t even fucking call her so she’s literally alone and has no family. So she’s bratty and acts out? How can you blame her? she doesn’t do real damage she just whines a lot it’s not like she’s hurting people. Oh and also when she was 12/13 she was told she wasn’t REAL and her memories were FAKE.
And they never think of her, they constantly forget her. Yes, Xander was busy rushing Buffy to the hosptial because she also got shot, but like, he didn’t think to CALL DAWN?
And then after all the shit she goes through in season 5, she finally gets a mom again. And it’s Tara. And she has two moms, really. And then they break up, so she has to deal with divorce. For the second time in her life. She she holds on to her mom Tara because Tara treats her like a person then Tara dies and Xander doesn’t even remember to CALL HER about Buffy/the shooting so she has no idea anything is wrong and she comes in to find Tara’s dead body and just wow.
Dawn is one of the most resilant characters on this show and this is not the best written of my posts but like, seriously. Dawn.
Sort of Incorrect Les Miserables Lyrics — You’re the One That I Want
No, that looks right to me.
THERE’S TIMES WHEN I WANT A RUSTIC CABIN IN THE WOODS AWAY FROM ALL SOCIETY
THEN THERE’S TIMES WHEN I WANT A MODERN ASS HOUSE
THEN I’M LIKE I’LL ACCEPT NOTHING MORE THAN A VICTORIAN MANOR
THEN I WANT A PENTHOUSE IN THE MIDDLE OF NEW YORK
THEN I WANT ONE OF THOSE HOUSE MADE OUT SHIPPING CONTAINERS
THEN I WANT A FRENCH CHATEAU
BUT I ALSO WANT A TREE HOUSE
AND A LITTLE COTTAGE ON THE OCEAN
HOUSES ARE SO COOL
Jason: The first time I worked with Dobby, I said, “Where’s Dobby gonna be? Where should I look?” They went, “Well, wherever you look, that’s where we’ll put him.” So we’re up on a little platform for me to walk down and I would swing my leg viciously and as I went down the steps, I went … with the cane like that.
So Chris goes, “Cut. Okay, great. You slip or something?” And I went, “No, no, no. No, I just kicked Dobby down the stairs.” And he went, “Really?” He said, “What was the thing with the cane?” I said, “When he tried to get up, I bashed him on the head.” He went, “Cool.”
When he tried to get up, I bashed him on the head.
i thought this was gonna be another description of how dan adlibbed that line in this scene. but this is so much better!!!
The Avatar Family
Cosplays made by: Me (Katara)
Aang: Cerulean Photograhy
Photography by: https://www.facebook.com/availlight
Edits by: Me
*Bumi was not left out, he just decided until the last picture that he didn’t want to wear his costume or be in photos
Trojan Condoms, 1993
BRING THIS BACK, TROJAN.
Good advertising is good. Promotes safe sex and their own product!
i love that it promotes safe sex without saying that getting pregnant is the only thing you should be worried about
-This old thing? Please! I’ve been rocking it for centuries!
Oh, his joy!
How to use Duos, Trios, Quads, Quintets???! (A few basic shapes that work with all eye shapes)
The first thing I always tell people when it comes to eye shadow application is - find your socket line. And learn to separate that from your crease.
There is a myth about applying shadows “on/within your crease”. Well that’s fine if you have very defined, even, thick lid folds. But if you have hooded eyes, mono-lids, or smaller lids where the crease is either not visible or not high enough, many eye-shadow looks can be very unflattering or they simply disappear when you open your eyes.
What to do? Simply replace the word “crease” with “socket line” from today on. If you have mono-lids and hooded lids, it’s important to blend your shadows UP TO your socket line at least. That not only defines your natural contours but also widens the eye.
- Your socket line is where your eyeball dips into your orbital bone. Close your eyes and feel for it.
- Flattering eyeshadow looks are all about "creating shadow and light" in the right places. Even if your eye contours aren’t very defined naturally, placing a bit of deeper color along your socket line and a pale shade in the center of your lid will create the illusion of more pronounced contours without making you look too dramatic.
- I DON’T recommend creating a fake socket line higher or lower than your natural one. It can go very very wrong unless you’re an absolute pro.
- Many times we use brushes that are way too big or fluffy. If you have small lids or eyes, a smaller, round-ferrule pencil brush like the one from 13rushes can make life a lot easier. Go for the flatter, wider brushes if you have a bigger lid space to work with.
Now that we’ve got that covered, you can get back to the question of “what the heck do I do with this palette that has 2-3-4-5 shades?!” and look at the images above as a reference for where colors go.
Don’t be restricted by the image with the 4 shadow palettes and the labels on each of the shades. It’s there as a reference but the best thing is to look at the eye charts, because you can use any 2 shades in a quad or a 5-color palette as a duo using a DUO diagram.
Steps don’t include liner (optional) and mascara, so you just add them later.
THESE ARE NOT RULES. They’re just basic guidelines for those who aren’t too familiar with eye makeup yet.
Lastly, when looking for eyeshadow palettes, here are some beginners’ tips:
- My palette has one cream/liner/glitter shade! Well, take those out of the equation and see how many regular shadows are left. If there are 3, shadows left, follow the TRIO diagram. If there are 2, follow the DUO diagrams.
- Erm, so what do I do with base/liner/glitter shades? Apply the base all over from lash line to socket bone before you begin (you don’t need to go all the way to your brows unless you want a dramatic look). For glitter shades, you can apply them as a wash all over when you’re done with the rest of your eyeshadows, or down the center of the eye for a “wet look” when you blink. Liner shades are self explanatory!
- DUOS: look for those where 1 shade is the same lightness or lighter than your skin color, and 1 shade is darker/smokier. Doesn’t matter if they are metallic, shimmery, matte, sparkly. For most basic daily makeup looks, you just need a light and dark to define your eyes.
- All palettes: make sure there is a "balance of light to dark shades". This means at least 1 softer shade and at least 1 dark shade that is deep enough to act as a definer shade. (There are a lot of palettes where all 3-4 shades are pretty shimmery pastels. Well, sorry but they’ll look nicer on your vanity table than on your face. You need a darker shade there for definition and contouring in order for the palette to look flattering.
- QUADS: What do you do if there are 2 pale shades? Which should you apply on your brow bone, and which as an accent in the center of your eye? The less shimmery/sparkly one on the brow bone, and the more dramatic and reflective one on the center of the eye. If they’re about the same texture, then it doesn’t matter which you use where.
- 5-6 SHADE PALETTES: Many people find them overwhelming, but you really don’t need to wear all the colors everyday. You can pick 2-3 shades and wear them as a duo or trio (See diagrams) easily. So they actually give you the most options!
Some Idiot-proof Eyeshadow recommendations:
Duos: Laura Mercier eyeshadow duos. Always well coordinated, with 1 soft/matte shade and 1 darker, richer one. Takes the guess-work out of eyeshadow application.
Trios: A lot of drugstore brands like Wet n Wild Color Icon have pre-coordinated trios with the shades marked out as lid, crease, browbone for you. Just remember “crease” = socket line. In the higher end range, Dior’s 3 Couleurs are beautifully coordinated and easy to use and blend.
Quads: Tom Fords and Chanels have some of the easier to use luxe quads in the market, but if you’re going for the Tom Fords, remember to minus out the sparkle shades. (E.g. 01 Golden Mink is what I’d consider a duo, not a quad, because there are 2 sparkle shades out of the 4, and I’d apply the 2 satin shades using one of the DUO diagrams above, and then decide how I want to apply the sparkles.)
**Laneige Pure Radiant eyeshadow quads (S$40) are a fantastic alternative - not dupes cos there are no exact palette matches, but great alternatives - for Tom Fords (S$100) because the satins and glitter textures, as well as a few of the shades, are actually very very similar. If you love the look of TFs but find the prices a little steep in Asia, take a look at the Laneige counter! See for yourself!
Quintets: Lancome’s Hypnose palettes are still one of my favorites. They usually have the BEST balance of dark and light shades, and they’re perfectly coordinated with each other, so you can pick any 2-3 shades out of the 5 and go.
**Diors are a good option if you have more mature lids or prefer smoother, more translucent pigments but the 5 couleurs are’t as well-balanced as Lancomes, so unless you’re very experienced and know how to add definition using liner and mascara, I’d pick a few colors and use these palettes as duos and trios rather than a quintet.
If you want to break the rules completely and do it like makeup artists do sometimes, NARS’ duos are pretty much on the opposite spectrum to Laura Mercier.
They do have light vs dark shades too, but there are also tons of funky clashing duos designed for maximum drama on the lids. Stuff like Rated R (lime and blue) and Bysance (yellow and violet) can still be applied using the 2 DUO diagrams above, but the final effect will be VERY bold. Probably better for the club than for school or work.
So very relevant to my current interests.
Helpful if you’re trying to figure out what to do with the Aromaleigh “This Is My Design" colors. I have deep-set eyes, so yeah, I generally blend a "crease" color up to/over my socket line so you can even see it. I’m experimenting with some of the other colors to see what might blend well with the darker or more vivid shades; turns out that Tattler is really, really pretty blended with Everlasting Credit as your lighter shade, like a sunset. It also worked with Yarrow, a matte, and would probably work with a shimmer like Sophie. I’m still working out what might go with Ravenstag and Murder Tie.
lotr meme: ten scenes [5/10] → the lighting of the beacons
A brief summary of why I don’t like Severus Snape
since you’ve included the deathly hallows I have to deduct that your argument is invalid
Sorry I forgot that wanting to fuck Lily Potter makes up for being a terrible person!!!